Wednesday, 27 January 2016

5 things to do before starting your animation project

Have you ever heard of an animator finish a project without planning a single thing? If you have, do let us know the trick. If not, that is because it has never been done.

When we hit upon a new idea, we are tempted to start right away. But sooner or later we are lost without a clue as to where the project is headed. Successful animators follow some simple rules to ensure that they can achieve their aim in an organised manner within a certain time. We bring you five thumb rules that will help you plan your project & stay on track.

1. Create a workflow & a Project Plan
So you have a brilliant idea. And you can’t wait to get started. Wait. Breathe. Sit down. Think for a minute. Plan. Yes, plan. This is the basis for all your success. You should have a clear idea of what work you need to do for your animation and in what stages. It is great to wait for that Eureka moment. But setting yourself a proper workflow will make sure that you don’t spend your entire life working on one project alone.

Determine the order in which you will complete each stage of your project & your methodology. Stick to that plan. Set a timeline, especially if you are working for someone else on a deadline. Decide how much time you will need to complete each part, and then break down how you’ll allot that time over the total number of available days.

2. Know your Story
We remember Frozen as the story of two sisters, Finding Nemo as the story of a father looking for his missing son, and Inside Out as the story of the voices inside our head. Can you see the pattern? What is your story about in just one line?

Many animators, especially beginners, fall into the trap of impatience. They start animating as soon as get an idea; without any real story. It is alright to draw sketches or doodles before you forget. But these are only rough sketches. The final frames will be made once you clearly write out the story. It is very important to get everything on paper; starting from the actual story to the required research & notes. Minor changes to the script will be made along the way but it is important to write out a proper narrative.

3. Know your Characters
Shrek, Simba & Mufasa, Pikachu, Tom & Jerry, are iconic characters. This is because of the effort put in by the animators to make them believable & lovable. Animators often begin with just one quick sketch of their characters and move on. Avoid this mistake. It is important to sketch your characters from numerous angles, in different situations, and in various emotions. Create full character sheets. We know what our characters look like in our heads. But it is only when we bring them to paper is when we can polish them to become memorable characters.

4. Plan your Scenes
It is easy to imagine one scene at a time. But a movie is a coherent combination of all these scenes. Animators often fail to stitch different scenes together to make a complete animated movie. This is because they hadn’t marked where one scene ends and another one begins. It becomes important to identify the requirements of each scene and bring them all together into a coherent story. This is connected to #2 above of writing down your story. If you have completed #2 properly, without any shortcuts, you will have less trouble when planning your scenes.

5. Map out your Timing
Your animation film can be as short as 5 seconds to as long as 2 hours. But for the audience it should be a timeless experience. Proper timing is essential to animation. Everything does not move at the same speed. Planning is required to determine whether your characters will walk or run, and for how long will that stay on screen. You will also have to decide whether a certain action will play in slow motion or in fast forward. This will also impact the speed of the overall movie. The final timing of your movie will be crucial while creating dope sheets that will map out the frames you’ll need to animate. Take your time to complete #3 & #4 above, and deciding the final runtime of your movie will become a cakewalk.



Saturday, 23 January 2016

19 Before-And-After VFX Shots From Indian Movies That Will Have You In Splits

 Visual effects play a significant role in film-making. Often times, the locations you see in the movies are actually green background scenes. Here's a sneak-peek at what happens 'parde ke piche'!

Baahubali

Singham

Student of the Year
Ready
Oh My God

Chennai Express

Chak De India

Dil to Bachcha Hai Ji

Dostana

Kick

Kites


Saturday, 16 January 2016

3D Animation Market Analysis, Market Size, Application Analysis, Regional Outlook, Competitive Strategies And Forecasts, 2014 To 2020

The 3D animation market is expected witness rapid growth across various end-use applications over the forecast period. Increased broadcasting hours over satellite and cable TVs has animated entertainment demand. Rapid advancement in technology has made computer animation available to the animation industry and the masses. Convergence of technical and animation industry has yielded significant advances across various industry verticals. Some of these include publishing, photo imaging, commercial production, computer gaming, advertisement, fashion & textile and media & entertainment. Growth of 3D animation software and technologies has driven development of new methods for 3D content creation. For instance, designers have incorporated 3D animation into educational centers. Favorable government regulations, multi-industrial applications, 3D character merchandise and thriving entertainment industry are expected to drive 3D animation market growth. In addition, availability of low cost compatible hardware and internet connectivity has led to proliferation of free program downloads.

The 3D animation market can be categorized by software into plug-in software, Software Development Kits (SDK) and packaged software. The animation software market is expected to exhibit high growth with development of animation computers and stereoscopic imaging software. The hardware segment comprises motion capturing (Mocap) systems, video cards & GPU and workstations. The market is also segmented on the basis of deployment into on-demand and on-premise solutions. Emergence of popular 3D animation in medical visualization used for medical training or marketing is estimated to positively impact market growth.

Major industry participants include Side Effects Software, Newtek, Inc., Nvidia Corporation, Maxon, Lenovo Goup Ltd., Intel Corporation, Corel Corporation, Autodesk, Advanced Micro Devices Inc. and Adobe Systems.

Key Questions answered by the Report

  • What was the market size in 2013, what are the expected growth trends and forecast for 2020.
  • What are the factors driving market growth and  what are the key challenges for participants in this industry.
  • Which companies were the leaders in 2013? What are their current products and what are the strategic initiatives taken by them
  • Which were the top performing products in 2013? How will these products perform in2020.
  • Which were the top performing regional markets in 2013? How will these markets perform in 2020.
  • Which were the top performing application segments in 2013? How will these segments perform in 2020.
  • Which were the top performing end-use segments in 2013? How will these segments perform in 2020.

Friday, 15 January 2016

Disney Sets First Telecast Of "Frozen" For Valentines Day; Olaf To Appear on "Sofia The First" The Next Day

For the first time ever, Disney's Frozen will be broadcast on Disney Channel, Sunday February 14th at 7:00 p.m., ET/PT).  The highest grossing animated feature film ever, Frozen was also the winner of two Academy Awards, a Golden Globe and two Grammy Awards.

And for those craving new footage of Frozen co-star Olaf, your wish has been granted.  The character makes an all-new special appearance on the hit series Sofia the First the next day, Monday February 15th at 11:30 a.m., ET/PT on Disney Channel and 7:00 p.m., ET/PT on Disney Junior. The episode will be available on WATCHDisneyJunior.com and the WATCH Disney Junior app beginning Monday, February 8th.

Josh Gad is the voice of Olaf and returns to the role in the story titled "The Secret Library: Olaf and the Tale of Miss Nettle," the second episode of a four-part story arc.  Megan Mullally returns as the voice of Miss Nettle, a role for which she received an Emmy Award nomination earlier this year.  Eric Stonestreet and Hugh Bonneville recur as Sofia's flying horse Minimus and the Narrator, respectively.

Disney Junior's Emmy Award-nominated "Sofia the First" is the all-time record holder for the top three cable TV telecasts ever and TV's #1 series in Girls 2-5 for three straight years.  The series stars Ariel Winter as Sofia; Sara Ramirez as Queen Miranda; Wayne Brady as Clover; and Tim Gunn as Baileywick. "Sofia the First" is executive-produced by Jamie Mitchell and Craig Gerber and is a production of Disney Television Animation.

Thursday, 14 January 2016

‘Kung Fu Panda 3’ : Po Returns to Fight a New Evil

DreamWorks Animation and 20th Century Fox have just released a new trailer for Kung Fu Panda 3 on Apple Trailers! Check out the latest footage below and get ready for Po's return with his biggest comedy adventure yet. Jack Black is back to face all new obstacles and eat a whole lot of food. But it won't be all fun and games, as an evil force emerges to wipe out all of the Kung Fu Masters in the world. And poor Po is next! In 2016, one of the most successful animated franchises in the world returns with its biggest comedy adventure yet, Kung Fu Panda 3. When Po's long-lost panda father suddenly reappears, the reunited duo travels to a secret panda paradise to meet scores of hilarious new panda characters.  But when the supernatural villain Kai begins to sweep across China defeating all the kung fu masters, Po must do the impossible-learn to train a village full of his fun-loving, clumsy brethren to become the ultimate band of Kung Fu Pandas!


Prepare yourself as Po must face two epic threats: one supernatural and the other a little closer to home. This latest chapter in the continuing adventures of Kung Fu Panda is directed by Jennifer Yuh Nelson, who also helmed the worldwide hit Kung Fu Panda 2, and features a script by series writers Jonathan Aibel and Glenn Berger. Jack Blackreturns as the voice of Po along with Gary Oldman, Dustin Hoffman, David Cross, Angelina Jolie, Michelle Yeoh, Mads Mikkelsen, Danny McBride, Lucy Liu, Seth Rogen, Jackie Chan, James Hong, and Bryan Cranston. In September, THR reveals that Kate Hudson is replacing Rebel Wilson as Mei Mei, a ribbon dancer who becomes romantically obsessed with Po (Jack Black). The change happened because the Kung Fu Panda 3 production was extended, creating a conflict for Rebel Wilson, which forced her to drop out. The scenes involving Mei Mei were re-animated, to reflect Kate Hudson's new take on the character.

In both Kung Fu Panda and Kung Fu Panda 2, Po was believed to be the last panda bear in existence, but fans learned at the end of Kung Fu Panda 2 that there was a secret panda lair where these bears have been living in seclusion for years. We get to see that secret village come to life in Kung Fu Panda 3. Watch as Po goes from student to teacher as he gets his brethren ready for the fight of a lifetime. 

Making of 'The LEGO Movie' Animation

Making of 'The LEGO Movie' Animation


Despite the fact that the film doesn't hit theaters until Friday, Warner Bros. is already so confident in The LEGO Movie that the studio has already commissioned a writer to script a sequel. That's not a guarantee that it will get made until the actual box office receipts come in, but the film is tracking very well. In the meantime, why not check out how this stunningly animated film was made, complete with a mix of CG animation and practical stop-motion animation using real LEGO pieces. Despite the seemingly limited range of the LEGO minifig faces, Chris Pratt says the facial expressions are pretty dead on.


The LEGO Movie is a 3D animated film written and directed by Phil Lord and Christopher Miller. The film follows Emmet, a completely ordinary, rules-following, LEGO minifigure who is mistakenly identified as the most extraordinary person and the key to saving the world. He is drafted into a fellowship of strangers on an epic quest to stop an evil tyrant, a journey for which Emmet is hopelessly and hilariously underprepared. Chris Pratt, Will Ferrell, Elizabeth Banks, Liam Neeson, Will Arnett, Nick Offerman, Alison Brie and Morgan Freeman all lend their voices to the film Warner Bros.

How to create a hit animated movie


1. CHOOSE A TOY
Since the success of the Transformers and G.I. Joe movies, it's no surprise Hollywood has been hunting for toys that can feature in film. But it took a clever take on the genre by US writer-directors Phil Lord and Christopher Miller (Cloudy With a Chance of Meatballs ) for Warner Bros and Denmark's Lego group to commit to The Lego Movie. ''Phil and Chris took the toy very seriously,'' says editor David Burrows. ''They really investigated what is it about the Lego toy that gives so much enjoyment and creative expression to people, and focused on that.''

2. FIND AN ANIMATION STUDIO THAT CAN MAKE IT
Sydney animation studio Animal Logic, which had worked with Warner Bros on Happy Feet and Legend of the Guardians: The Owls of Ga'hoole, created a Lego pirate ship sailing on a Lego ocean as a test scene. Then, at the directors' request, they sealed the deal with a test scene of Lego everyman Emmet auditioning for the movie.

3. WORK OUT HOW TO MAKE IT
With Lord and Miller, the Animal Logic team came up with a plan for creating a photo-real computer animation that resembled stop motion. The aim was to build the scenes brick by brick with a ''homemade'' feel. CG supervisor Aidan Sarsfield says what's called the animation pipeline covered design (sketches by the art department), building the ''assets'' (characters, sets and props) and shooting (with the layout team focusing on camera moves and the animation team focusing on the performances, effects, lighting and composition). ''Probably the most challenging part of the pipeline is having everyone work in parallel, yet still see their work together without stepping on each other's toes,'' he says.

4. BRING THE CHARACTERS TO LIFE
Throughout the process, the team worked hard to make sure the characters would appeal to the audience. As an old-style Lego character, Emmet had only basic facial features - dots for eyes - and limited movement. ''He's someone the animators really took to, so they were able to create some goofy walks for him and some wild expressions, while he goes through these amazing situations,'' says animation director Rob Coleman.

5. MAKE THE STORY STRONG
An Animal Logic team that peaked at almost 370 people created the movie over 28 months. During this time, Burrows says the attrition rate for ideas and jokes was huge. '''It had to absolutely nail it or it doesn't get a look in,'' he says. The result? Glowing reviews, worldwide box office of more than $430 million so far, and a sequel to be shot in Sydney.

Tuesday, 12 January 2016

Visual Effects, the key to creating Baahubali's Bull and Revenant's bear...

What may seem like a ferocious animal to the naked eye might just be a prop dangling around. The heavy use of VFX and CGI has led to creation of crucial scenes by using simple props. So be it a bull in Baahubali: The Beginning or a bear in The Revenant, anything can be created digitally without even causing a scratch to the actor.

SS Rajamouli’s Baahubali is still the talking point as far as creation of various spectacular sequences and visual effects is concerned. Recently, the VFX team released a video of the bull fight scene of the character Bhallala Deva played by Rana Daggubati.The entire video put together by Tau Films of Malaysia clearly displays green screens and other props that were used to give the fight a realistic look in the final output. With Makuta VFX at the VFX helm and the supervision of the mastermind Srinivas Mohan, this whole bison scene was created by Tau Films right from the grass root level.

Apart from the bull’s head prop that was used on the set to give the actors some spatial context and feel so that Rana could apply his strength to bring alive the intensity of the scene, the bull was rendered entirely in post-production. To bring out the expressions and force that’s required to push the bull, a man is seen holding the head giving an opposite direction force.
While, on the Hollywood front Alejandro González Iñárritu’s The Revenant had a beast fight scene too. Starring the phenomenal Leonardo DiCaprio playing the lead character Hugh Glass, the film had a four minute sequence of a fierce bear attack on the protagonist.

The VFX Studio Industrial Light and Magic (ILM) at the helm with Rich McBride supervising the entire visual effects, this bear attack scene was unfolded just how an actual bear attack would occur. The bear in this scene was a huge monster covered with tones of fur as compared to the bison seen in Baahubali and Leonardo too had a heavy coat over him unlike the bare body of Rana.

Both McBride and Alejandro wanted the attack to be sudden, realistic and outrageously ferocious. Therefore the mauling of Leonardo was kept very messy as the mother bear swings and tears him apart with a view of protecting her cubs. According to a report in Indiewire, there was simulation of flesh over the bones and then a layer of skin that got another layer of simulation and then the fur got simulated on top of that. Because of the dramatic use of VFX, the bear is portrayed bleeding and Leo’s torn up in a freezing jungle environment with cubs running in the background quite evidently and realistically.More importantly, the whole attack sequence was neatly composed together so that it looked like one continuous take in the woods. Alejandro wanted to keep the feel alive so a stuntman was used with an animal skin draped over him to depict the action of the bear attack, and how it would tear apart the costume.

Both of these sequences profoundly claim what wonders VFX has been creating in the film industry to fabricate anything and everything. Be it nature, animal, human or an illusion on screen, VFX is the key element and the answer to the creation of the impossible in the world!

How Important are Content Markets for Kids #Broadcast #Networks

To find and to buy the best and the newest content is the motive of every broadcaster attending content markets at various venues. It is no less important for a producer who is keen on signing a deal with a broadcaster who can be trusted with the title. In terms of the mileage, the title can garner with the network and of course, profit scale. There is no denial to the fact that a producer doesn’t have to await a content market to showcase a newly produced content.

Web marketing tools come in handy to launch the titles no sooner than they are produced. However, in an arena that is abuzz with a want to buy and a desire to sell-which is typically a content market, a foundation for a profitable business deal is set. It gives an opportunity for broadcasters to meet existing and prospective sources of content, understand the trends in the global market and to meet fellow professionals in the industry who can shed insights on what is evolving. Buyers get first-hand knowledge about new programmes available across globe and help them consolidate their brands. Sellers seize the moment to unveil new projects and see to it that they excite key buyers.

With companies across globe attending such markets, it helps one understand how the same content works across different markets in various countries. Content markets serve a chief point for exchange of information apart from functioning as a one-stop point for content buying. It would be no exaggeration to say that broadcast networks can gain leads on how to amend their strategies to stay abreast with the changing times.Major content markets like MIPCOM, MIPTV, MIPJUNIOR, MIPCANCUN, ATF, DISCOP, NATPE, Kidscreen, Asian Animation Summit and many more have served as a source and summit for broadcasters all over the globe to analyse, target and use paramount content to expand their trade.

‘To alter existing tactics, to introduce new ones and to anticipate a certain chain of events’ is what a broadcaster can absorb from the markets. In short, it serves as a perfect avenue for introspection. A vital role markets play is in creating visibility for new content and enable newbie content creators assess their standing.